Technicolor Jam Vol 2

Technicolor Jam Vol 2: Dreamy Analogue Keys The two-handed dream continues. Technicolor Jam Vol 2 is 48 brand-new analogue keys loops. As in Vol 1, the left hand lays down a deep foundation in the C1–C2 range and the right hand answers above it in C4–C5, drifting into echo and a vast, glowing reverb. This time the sounds go further: vibes, celeste, kalimba, Wurlitzer, harmonium and bells sit beside lush analogue polysynths. Every sound is new and was designed from scratch in u-he Diva: Lilac Vibes: a vibraphone with a slow motor tremolo Glass Celeste: a celeste Amber Kalimba: a kalimba Sunset Wurli: a reedy Wurlitzer Fog Harmonium: a pump harmonium Aurora Bells: ringing metallic bells Chrome Sync: glassy sync tones Crystal Band: crystalline glass keys Cotton Swell: keys that bow in slowly Polaroid Poly: an 80s poly Halcyon Saws: three-saw keys Honey Saw: a hollow, honeyed keys The writing is all new too: The left hand rolls arpeggios, repeats gentle ostinatos, holds a pedal tone under moving chords, strums slow open voicings and sways on the off-beat. The right hand answers with chorales, shimmering runs, melodies doubled in octaves, two-voice counter-lines, a hook carried through the chords, scattered chimes, and short notes spaced for the echo to answer. The space: Afterspace by Fletcher Audio Vol 2 goes deeper into Afterspace, Fletcher Audio's hybrid reverb. Afterspace pairs fourteen measured impulse-response spaces with Orbit, Fletcher Audio's own algorithmic reverb engine, and in Hybrid mode runs both at once. Orbit is fed by the dry keys and by the measured reflections, so the tails sound like real rooms and still go on and on. This volume reaches for Afterspace's biggest spaces, the ones Vol 1 left alone: Jupiter, the longest tail in the plug-in, behind the vibes TrES-4b, behind the harmonium Smertrios, behind the celeste and the glass keys Saturn and Osiris, behind the bells, the poly and the swells Bloom builds a soft, swelling late field behind e